We offer various opportunities to be ON STAGE: 

stage platform

If you are a professional dancer, you can test innovative ideas on our stage platform, for example. You can venture into performative experiments in front of an audience in a low-threshold setting. We provide space for risk-taking, the opportunity to break new ground and try things out in the best sense of the word.
Depending on the evening, one or more artists or groups will perform. The stage platform / open stage lasts a maximum of 90 minutes and takes place at different locations.
The stage platform also hosts the Preperformance Project – a format for participants in the 2 year programme in their penultimate term: over approximately two weeks, they gather their first impressions of working professionally with an external choreographer. The result is a performance that is staged publicly.

stage programme

As part of our continuing education program, after completing your formal dance training, you will have the opportunity to deepen your experience in stage performance and play composition! Within 6 months, under the direction of 3 internationally working choreographers, 3 different stage plays will be created, which will be performed one after the other at E-WERK Freiburg. 

Performance projects have a long tradition at bewegungs-art: Until 2014, they complemented the formal dance training, which consisted of basic/main and performance projects, and were incorporated into the postgraduate project of tanznetz|freiburg (2019, BLOODSONG by Maya Caroll/The Instrument).

Performances from the stage program will take place in 2026 and 2027 on the following dates: 

November 27–29, 2026: Choreography by Sebastian Zuber | Kammertheater E-WERK Freiburg
February 19–21, 2027: Choreography by Arno Schuitemaker | Kammertheater E-WERK Freiburg
April 16–18, 2027: Choreography by Rafaela Sahyoun | Großer Saal E-WERK Freiburg

 

PAST PROJECTS

SCAPING LANDS - preperformance project 2025

The two-year training class at bewegungs-art freiburg e.V. will develop a stage play in an intensive process from 1 to 17 December 2025 under the direction of renowned choreographer Brandon Lagaert. The 20 international students will learn choreographic methods and practise presenting on stage before completing their training a few months later. The students will be actively involved in the rehearsal process and will explore the complexities of encounters between people, identities and boundaries. Brandon Lagaert will compose this into the dynamic 40-45 minute piece SCAPING LANDS, in which the abundance of the twenty young dancers will be combined with his stylistic confidence. After the performance, the audience is invited to a post-performance discussion to learn about the students' experiences and more about the renowned choreographer's compositional approaches.

SCAPING LANDS poses the question: What happens when characters who should never meet share the same space? How do they adapt, resist or change as a result of their encounters? In a world marked by social, cultural, linguistic and political boundaries, the performance creates a liminal space in which stories and bodies meet, collide and merge. The characters move in chaotic harmony – driven by inner desires and shaped by external forces. Some lose themselves, others take control, but all are part of an ongoing dance of influence and identity. As boundaries blur, a central question arises: how do boundaries and differences shape our self-image and our sense of belonging?

Belgian choreographer and performer Brandon Lagaert (born in Ghent in 1992) is a member of the internationally renowned company Peeping Tom, with whom he has collaborated on productions such as Vader, Moeder and Kind. His distinctive style combines contemporary and urban dance with theatre and film. As director of his dance theatre company KAIHO, Lagaert works with professional companies and training institutions across Europe and has received numerous awards for his work. 

Brussels-based dancer and choreographer Sara Angelucci (choreographic assistant) works at the intersection of contemporary dance, physical theatre and interdisciplinary projects. She has been part of the KAIHO Company as artistic assistant since 2020. As a performer, she has appeared in Mondo Fuso and the duet Facing Familiar Faces, which will premiere at Charleroi Danse – La Raffinerie in 2025.

stage platform _ onCe before onCe 2024

once before onCe is dedicated to improvisation as a stage form. It was conceived as a prelude to the onCe Festival Freiburg from May 19 to 24, 2025, and was part of a series of workshops, performances, discussions, and other events surrounding the festival. 

Improvisers: Dagny Borsdorf | Irene Carreno | Julia Klockow | Kai Brügge | Rebecca Narum | Zina Vaessen

Foto: Roman Pawlowski

PrePerformance Project 2023

What kind of dance piece can be created with a dance-class in a 9-day process? Fabian Thomé composed the movement material developed from improvisations into a dynamic dance piece in which the richness of 14 individual qualities is combined with his stylistic confidence.
In order to give the audience an insight into Thomé's compositional approaches and the dancers' experiences during the rehearsal process, a discussion with the audience took place after the performance.

Choreographie: Fabian Thomé | Dance: Berit Pieper, Carla Stillger, Christina Frey, Jana Burianova, Katharina Gonska, Liese Demol, Lucas Vuillemin, Mara Hache, Marie Liebler, Meret Weilenmann, Nico Schänzer, Sarah Solea, Tina Gläser, Valeria Tolonen 

stage platform_once before onCe 2023

Improvisation als Bühnenform: once before onCe verstand sich als Präludium für das onCe-Festival Freiburg, welches vom 15. bis 21. Mai 2023 statfand.

Mit dabei waren:
Solo Komposition 24 / 03: Eva Krause
Solo Performance: Karolin Stächele/ DAGADA dance, Musik: DJ Moses Joses
Solo Instant Composition mit Musik: Harald Kimmig
Zimmer für Drei: Eva Krause, Andrea Kreisel, Zina Vaessen

 

DO YOU HAVE QUESTIONS

please feel free to contact performanceproject@bewegungs-art.de

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